5 tips on buying a camera lens (contd..)

Tip 351 (Third party lenses): When buying 3rd party lenses, remember that they are cheaper, however, it is also true that their re-sale value is comparatively lower than that of Canon or Nikon lenses. If that if a factor for you, then do consider that point.

Tip 352 (Third party lenses versus equipment manufacturer lenses): Even though lenses made by camera manufacturers such as Canon and Nike are more expensive, and some of that is a premium charge, in many cases, the optics of these lenses are more improved as move away from the cheap lenses.

Tip 353 (Compatibility with future cameras): This one is a bit harder to visualize, but consider the upward compatibility of the lenses you buy. If you buy a lens from Canon or Nike, they will do their best to ensure that this lens works with future cameras; they do not make any such effort to guarantee this for 3rd party lenses.

Tip 354 (Consider the trade-off between weight and sturdiness): Plastic lens bodies are cheaper, lighter, but not as durable as the heavier lens bodies. This will be a trade off between ease of carrying and the physical conditions it can take.

Tip 355 (Trade off between price and quality): Third party lenses can offer some focal lengths and such features that are not available from the camera manufacturers. However, it is difficult to get accurate comparisons between third party lenses and lenses made by equipment manufacturers, so in the end, it is your choice.

Ad: Click Here to Learn Digital Photography now!

Light and Lens: Photography in the Digital Age

5 tips on buying a camera lens (contd..)

Tip 346 (Canon L series lens): When you are buying Canon lenses, sometimes you may have come across some lenses that are much more expensive, and have a thin red line at some point on the barrel of the lens. These are marked L for 'luxury', and are lens that are more sturdy, made of better material, and have a much better optical finish; but given that they are more expensive, you need to evaluate whether you have such a need.

Tip 347 (Color of great Canon telephoto lens): You must have been surprised sometime about seeing some Canon telephoto lens being white or off-white instead of black. These are the higher end telephoto lens for Canon, and are typically much more expensive.

Tip 348 (Just the red stripe on the lens not enough): So you found a lens for your Canon Digital camera, and it has a red stripe, and you are excited about getting a superior lens. However, you should assume that only if the lens is made by Canon, then a red stripe lens means that it is superior; buying a lens made by other companies with a red stripe is not reassurance of any kind.

Tip 349 (Canon low cost prime lens): Canon sells lenses in different price ranges, with the consumer plastic body lens being the most inferior. However, the prime lens in this range is still fairly decent, since these lens don't have to worry about the quality problems associated with the optics of a zoom lens.

Tip 350 (Kit lenses are on the lower scale of lenses in terms of quality): So, you are looking to buy a new Canon camera, and you find a great bargain in terms of a camera with 2 lenses, one being the typical 18-55, and the other being a lens that could be a zoom. You feel you have got a good bargain, but keep in mind that there is no such as a free lunch; the lens you got is at the bottom of the scale in terms of quality.

Ad: Click Here to Learn Digital Photography now!

Canon EF 50mm f/2.5 Compact Macro Lens

Want to bring small things into full-sized view? Turn to the Canon EF 50mm f/2.5 compact macro lens, which can uncover detail that would otherwise be impossible to detect by the naked eye. Ideal for shooting extremely minute subjects such as insects or the petals of a small flower, the lens offers a nine-element design and a floating optical system that focuses down from infinity to one-half life size (0.5x). Despite these macro optics, however, the lens also functions beautifully as a general-purpose normal lens. And should you want to focus down to life size (1:1), you can add an optional Life Size Converter EF to increase the working distance--a valuable feature in close-up shooting. Other details include a 46-degree diagonal angle of view, a 0.8-foot close focusing distance, and a one-year warranty.

Technical Details :
* 50mm
* Macro
* F/2.5
* Filter Thread 52mm



Specifications :
* Focal length: 50mm
* Maximum aperture: f/2.5
* Lens construction: 9 elements in 8 groups
* Diagonal angle of view: 46 degrees
* Focus adjustment: Front group linear extension system with AFD
* Closest focusing distance: 0.8 feet
* Filter size: 52mm
* Dimensions: 2.7 inches in diameter and 2.5 inches long
* Weight: 9.9 ounces

Customer Feedback :
Great in low light, and agree also, the bokeh is sweet. I do alot of bee chasing and manage some great macros with bees in flight with this one. All hand held. Can also take great indoor shots without flash, with a steady hand.I chose it also because it was one of the least expensive high rated canon 50mm's.
It goes well with another inexpensive canon lens, the 55-200mm ef f4.5-5.6 II, which also does well outdoors, including macro.

Sigma 50mm f/2.8 EX DG Macro Lens for Canon SLR Cameras

Sigma launched its first standard 50mm macro lens in 1990, and followed it up with an improved model in 1998. The advent of digital SLR cameras, however, required updated optical technology and a better imaging performance. Enter the latest incarnation of the 50mm macro lens, with an improved design that corrects for various aberrations. Designed exclusively for Canon SLR cameras, this macro lens is specially coated to get the best possible color balance while cutting down on ghosting caused by reflections from the digital image sensor. The lens also includes a floating focusing system, which allows you to precisely photograph objects throughout the entire focusing range. Most importantly, this standard macro lens makes it possible to enjoy better communication with your subject. When viewing through the camera's finder, you'll be able to move the subject and make precise adjustments.

Technical Details :
* Macro lens designed for Canon digital SLR cameras.
* 50mm focal length.
* f2.8 maximum aperture.
* Super Multi Coating reduces flare and ghosting common to digital SLR cameras.
* Screw-in lens hood included.



Lens Specifications :
* Focal length: 50mm
* Maximum aperture: f/2.8
* Lens construction: 10 elements in 9 groups
* Angle of view: 46.8 degrees
* Number of diaphragm blades: 7
* Minimum aperture: f/45
* Minimum focusing distance: 7.4 inches
* Maximum magnification: 1:1
* Filter size: 55mm
* Corresponding mount: Canon
* Dimensions: 2.8 inches in diameter and 2.6 inches long
* Weight: 11.3 ounces
* Warranty: 1 year

Customer Feedback :
The lens is an excellent lens for close-up photos. I am not a professional photographer but I try really hard to get good sharp photos. This lens will do the job.
Since it is also also a 50mm lens I have used it as a normal lens. The only problem with that is that over the years many of us have been spoiled with zoom lenses. With a zoom lens you can stand in one spot and zoom the lens in or out to get closer or father from your subject. With just the 50mm capability of this lens you have to physically move in or out to get a closer shot or a wider shot. This is not necessarily a criticism, just a comment about how we have been spoiled by zoom lenses.
I do not believe you will be disappointed with this lens. The price is great for the quality.

Canon EF 28-105mm f/3.5-4.5 II USM Standard Zoom Lens for Canon SLR Cameras

The Canon EF 28-105mm standard zoom lens retains the optical capability of Canon's previous EF 28-105mm USM lens but with a refined exterior design. The lens is distinguished by a ring-type ultra-sonic monitor (USM) drive that provides silent, high-speed autofocusing, along with full-time manual focusing. The 1.6-foot close-focusing distance, meanwhile, lets you take great close-up portraits and nature shots. A good match for the Canon EOS A2/A2e or ELAN 7 series cameras with built-in flashes, the EF 28-105mm lens is an excellent zoom lens for everyday use. The lens carries a one-year warranty.

Technical Details :
* 28-105mm standard zoom lens with f/3.5-4.5 maximum aperture for Canon SLR cameras.
* Ring-type ultra-sonic monitor (USM) provides silent, high-speed autofocusing.
* 1.6-foot close focusing distance; rotating zoom system; 58mm filter size.
* Ideal for Canon EOS A2/Aw3 or ELAN 7 series cameras with built-in flashes.
* Measures 2.8 inches in diameter and 3 inches long; weighs 13.2 ounces.



Specifications :
* Focal length: 28-105mm
* Maximum aperture: 1:3.5-4.5
* Lens construction: 15 elements in 12 groups
* Diagonal angle of view: 75 to 23 degrees (at 30 feet)
* Focus adjustment: Inner focusing system with USM
* Closest focusing distance: 1.6 feet
* Zoom system: Rotating type
* Filter size: 58mm
* Dimensions: 2.8 inches in diameter, 3 inches long
* Weight: 13.2 ounces

Customer Feedback :
I am very satisfied with the overall performance of 28-105 mm. It focuses instantly and silently. USM is definitely an advantage and that was one of the reasons why I preferred Canon over other brands. The high pitched sound associated with focusing becomes quite irritating even at occasions when you do not need a silent operation. With a USM lens you do not hear anything and this is really fascinating. This lens produces very clear photos and is definitely better than the Canon EF 28-90 lens which is usually sold with the body for three reasons: 1. The grip feels much better. 2. The lens provides a larger aperture at longer focal lenghts. 3. Basically it has a focal length of 28-105 mm (vs 28-90). Even if there is a significant price difference I would suggest the 28-105 mm. You will NOT regret it.

Tamron AF 55-200mm F/4.0-5.6 Di-II LD Macro Lens for Canon Digital SLR Cameras

The Tamron AF55-200mm f4-5.6 Di II Macro LD (Model A15) is a tele-zoom lens designed exclusively for digital SLR cameras with smaller-size image sensors at an affordable price. Di (Digitally integrated)-II lenses are designed for exclusive use on digital cameras with smaller-size imagers. This lens is not designed for use with 35mm film cameras or digital SLR cameras with image sensors larger than 24mm x 16mm.
For photographers who bought their digital SLR camera in a kit with a standard zoom lens but are dissatisfied with the telephoto capability of the standard lens, the AF55-200mm f4-5.6 Di II LD Macro offers in a second lens a desirable telephoto range at an affordable price. The tele-zoom from Tamron will allow these photographers to enjoy the telephoto capabilities that yield dynamic images in many photographic situations including sporting events, large wildlife, scenery and portraiture.

Technical Details :
* Telezoom lens designed exclusively for Canon Digital SLR cameras with smaller-size imagers.
* Nine-blade diaphragm construction for natural out-of-focus effect.
* 37.4-inch minimum focusing distance for 3.5x macro capability over entire zoom range.
* Low-dispersion lens elements reduces chromatic aberation for sharper images.
* Lightwight and compact design weighing a mere 10.4-ounces.



- Popular-type Tele-zoom for Exclusive Use on Digital SLR Cameras : This is a telephoto zoom for exclusive use on digital SLR cameras that covers the focal length range equivalent to 85-310mm when converted to a 35mm format.
- Lightweight and Compact Design Thanks to Optical System for Exclusive Use on Digital Cameras : Since the optical system is designed for exclusive use on digital cameras, the image circle is smaller, resulting in a compact package measuring 3.3 inches, accepting a 52mm standard filter and weighing a mere 10.4 ounces.
- Revolutionary Minimum Focus Distance of 37.4 inches for 1:3.5 Macro Capability over the Entire Zoom Range : The 55-200mm zoom lens realizes an MFD (Minimum Focus Distance) of 37.4 inches over the entire zoom range, the top level of the closest focusing distance among tele-zoom lenses.
- Nine-blade Diaphragm Construction for Natural Out-of-focus Effect : Since the lens employs a nine-blade almost circular diaphragm construction, it provides naturally blurred background effects when a natural out-of-focus effect is desired.
- Optical System Uses Special Glass and is Optimized for Digital SLR Characteristics in order to Enhance Optical Quality in a Compact Design.
- Optical Design Dedicated to Digital SLR Photography by Optimizing the Angles of Incidence of Light Rays Reaching the Image Sensor.
- Enhanced Peripheral Illumination : Peripheral light fall-off is minimized when compared with that of conventional lenses for film cameras, so images are uniformly bright from the center to the periphery.
- Outstanding Resolution : Since the lens is designed exclusively for digital SLR photography, it provides high image quality resolution, contrast and flatness of image field.
- Internal Surface Coating to Reduce Ghosting and Flare.
- New External Design on the New Di II Series Conveys "High Performance, High Precision Image".
- Super Hybrid Mount for High Durability and Lightweight Design.

Customer Feedback :
This lens is designed specifically for digital cameras. (Digital cameras are different from film cameras in several respects). For example, a digital camera uses what amounts to a big chip to gather light, the surface of the chip is far more reflective than film. This means bright light can hit the chip and some of it bounce back into the lens. HOWEVER, you cannot use this lens with a film camera, or you will get dark fading around the edges of the photo.
Also, this lens is designed specifically for cameras with a CMOS or CCD chip no larger than 15.5 to 23.2mm

Tamron AF 28-200mm F/3.8-5.6 XR Di Aspherical (IF) Macro Zoom Lens for Canon Digital SLR Cameras

Tamron has made this lightweight, compact high power zoom lens available with the Di optical system with improved multi-coating for digital SLR cameras as well as film cameras, further enhancing its ease of use and popularity.

Technical Details :
* 19.3 inch (0.49m) Minimum Focus Distance entire zoom range.
* 1 - 4 Macro Magnification Ratio at f=200mm MFD 0.49m.
* Weight - 354 grams (12.5 ounces).
* Diameter x Length - 2.8 x 3.0 inch (71.0mm x 75.2mm).
* Accessory Flower shaped lens hood.



Customer Feedback :
I have an older version of this lens for my Nikon and always got good results with it. I am using this on a Canon 5D Mk2, believe it or not, and it is great so far. Some barrel distortion that really shows in building shots, etc, but there is good software that can correct that easily. Also, it will be less on non-full frame cameras. Otherwise I think this is one of the best value lenses out there. Probably the ideal travel lens due to it's size, too. It's very small. Maybe the smallest zoom lens of that length. It's also very well made. Mostly metal. I trued out the Canon equivalent and have to say this lens seems sharper and with better color.

Sony VCL-HGA07 HG Wide Angle Conversion Lens 0.7x for 30/37mm

Broaden your field of view with these high grade lenses.They offer unmatched ease of use, making them the accessories of choice for reducing distortion and boosting image detail in a wide angle format.

Technical Details :
* 0.7x wide-angle converter lens for 37mm/30mm diameter camcorders.
* Certified High Definition picture quality.
* The lightest conversion lens for HD.
* Easily squeeze and attach lens.



Customer Feedback :
Having recently purchased this lens, I wanted to share my opinions on it. My camera is the Sony HDR-XR520V. My biggest reason for wanting this lens was so I could fit more in the picture when I filming indoors. It works beautifully for this, I now have a lot more in the frame. The picture is clear all the way around. There is some slight barrel distortion around the edges of the picture, but it's only noticeable with straight lines, and it's very slight. I've read in places that the lens is heavy and uncomfotable to use one the camera, but I disagree. Yes, it does add some weight, not enough for me to be concerned though.

Sigma 70-200mm f/2.8 DG HSM II Macro Zoom Lens for Canon Digital SLR Cameras

This large aperture 70-200mm macro zoom lens offers an improved optical performance over earlier versions while retaining the same close-up ability (39.4 inches) and magnification range (1:3.5) as before. The lens--which is suitable for a range of applications, including portraits, landscape photos, and close-ups--offers two special-low-dispersion (SLD) and three extraordinary-low-dispersion (ELD) glass elements. The elements combine to provide excellent correction for all types of aberrations, ensuring high image quality throughout the entire zoom range. The lens also incorporates a Hyper Sonic Motor (HSM), which supports a quiet, high-speed autofocus system as well as full-time manual focusing. Other features include a super multilayer coating that reduces flare and ghosting, inner focusing and inner zooming systems that preserve the overall length of the lens while shooting to ensure convenient handling, and a removable tripod collar. All Sigma lenses carry a one-year warranty.

Technical Details :
* Super multi-layer lens coating and lens design reduces flare and ghost.
* 70-200mm Focal Length.
* Lens Construction - 18 Elements in 15 Groups.
* 34.3 - 12.3 degrees angle-of-view.
* Minimum focusing distance of 100cm, maximum magnification of 1 - 3.5.



Specifications :
* Focal length: 70 to 200mm
* Maximum aperture: f/2.8
* Minimum aperture: f/22
* Lens construction: 18 elements in 15 groups
* Angle of view: 34.3 to 12.3 degrees
* Number of diaphragm blades: 9
* Minimum focusing distance: 39.4 inches
* Maximum magnification: 1:3.5
* Filter size: 77mm
* Hood: Petal type
* Corresponding AF mounts: Canon
* Dimensions: 3.4 inches in diameter and 7.3 inches long
* Weight: 48.3 ounces
* Warranty: 1 year

Customer Feedback :
I LOVE this lens. I got it for shooting sporting events for my university newspaper, and have had no problems in the month that I've had it. It autofocuses faster than the Tamron. A monopod isn't necessary because it's such a fast lens. Even at night with stadium lighting, the AF has little trouble.
The best thing I've heard for people wanting to shoot sports since buying this "cheap copy" lens came from a professional on the sidelines the firtst time I used my new lens. He said to my question about the Nikon 70-200mm, "Honestly, I turn the VR off when I'm not doing still portrait shots because it gets out of whack when I start following a moving person."

Canon EF 100-400mm f4.5-5.6L IS USM Telephoto Zoom Lens for Canon SLR Cameras

Equipped with an Image Stabilizer, the Canon EF 100-400mm telephoto zoom lens makes it easy to capture the far-off action of fast-paced sports or zoom in for an intimate portrait with a blurred background. The lens offer such features as fluorite and Super UD-glass elements that largely eliminate secondary spectrum; a floating system that ensures high picture quality at all focal lengths; two Image Stabilizer modes; and compatibility with extenders 1.4x II and 2x II. The lens carries a one-year warranty.

Technical Details :
* 100-400mm telephoto zoom lens with f/4.5 maximum aperture for Canon SLR cameras.
* 2 Image Stabilizer modes make it easy to capture far-off action or close-in portraits.
* Flourite and Super UD-glass elements largely eliminate secondary spectrum.
* Compatibility with extenders 1.4x II and 2x II; 5.9-foot close focusing distance.
* Measures 3.6 inches in diameter and 7.4 inches long; 1-year warranty.



Lens Specifications :
* Focal length: 100-400mm
* Maximum aperture: 1:4.5-5.6
* Lens construction: 17 elements in 14 groups
* Diagonal angle of view: 24 to 6 degrees
* Focus adjustment: Rear focusing system with USM
* Closest focusing distance: 5.9 feet
* Zoom system: Linear extension type
* Filter size: 77mm
* Dimensions: 3.6 inches in diameter, 7.4 inches long
* Weight: 3.1 pounds

Customer Feedback :
This is a serious lens. It is big and heavy and takes fantastic pictures. The image stabilization gets you an extra stop when shooting handheld, in that it minimizes shake enough. I've taken some spectacular twilight shots using this feature. It is a fantastic lens. Great sharpness, clarity, no spectral flares that I've noticed-- none at all-- quick, completely silent autofocus. Reasonably fast lens, the image stabilizer effectively makes it a little faster.
The only problem that I've had with the image stabilizer is that it sometimes makes it hard to frame up parallel lines at the edges of photos.

Nikon 85mm f/1.8D AF Nikkor Lens for Nikon Digital SLR Cameras

Lens-making is an art--Nikon artisans craft Nikkor optics from the finest materials, taking pride in adding their intellect and technique to bring the world's finest lenses to life. They push the leading edge of lens-making in their effort to provide the "glass" that makes the world's greatest pictures.
AF Nikkor lenses work with Nikon SLRs for optimal performance, even the very latest. The Nikon 85mm f1.8D AF Nikkor is a compact and portable medium telephoto lens ideal for indoor or outdoor portraits. An excellent choice for your first telephoto lens, it features subtle blurring of background for beautifully natural and evocative portraits, Rear Focusing system for fast and smooth optical performance, and weighs 13.2 ounces.

Technical Details :
* Portable medium telephoto lens that is ideal for indoor and outdoor portraits.
* Rear Focusing system for fast and smooth optical performance.
* Subtle blurring of background for beautifully natural and evocative portraits.
* High-speed f1.8 aperture.
* Compact and lightweight at 13.2 ounces.



- Nikon Super Integrated Coating ensures exceptional performance
To enhance the performance of its optical lens elements, Nikon employs an exclusive multilayer lens coating that helps reduce ghost and flare to a negligible level. Nikon Super Integrated Coating achieves a number of objectives, including minimized reflection in the wider wavelength range and superior color balance and reproduction.
- Rear Focusing
With Nikon's Rear Focusing (RF) system, all the lens elements are divided into specific lens groups, with only the rear lens group moving for focusing. This makes autofocusing operation smoother and faster.
- Distance information
D-type and G-type Nikkors relay subject-to-camera distance information to AF Nikon camera bodies. This then makes possible advances like 3D Matrix Metering and 3D Multi-Sensor Balanced Fill-Flash.

Customer Feedback :
If you don't need the speed or can't afford the expensive 85mm f1.4 Nikkor lens or both, then this lens may be the right one for you. It took Nikon a while to produce a superb compact 85mm lens, but this time they finally got it right. Without a doubt, this is a fine portrait lens for photographing head-and-shoulder portraits (The only lens which is optically better is Nikon's legendary 105mm f2.5 Nikkor lens, and its close optical twin, the 105mm f2.8 Micro Nikkor.). Since the 105mm f2.5 Nikkor lens doesn't have an autofocus version, then this might be the perfect moderate telephoto lens for owners of Nikon autofocus SLR cameras. Regardless, this lens has a well-earned reputation for excellent contrast and resolution.

Sigma 28-300mm f/3.5-6.3 DG IF Macro Aspherical Lens for Canon SLR Cameras

The Sigma 28-300mm f3.5-6.3 Macro lens covers all the focal lengths from 28mm wide angle to 300mm telephoto with 10.7:1 high zoom ratio as well as macro capability. 28-300mm F3.5-6.3 Macro packs a lot of performance in a compact package with ultra compact dimensions that make this lens the ultimate traveling companion length.

Technical Details :
* Compact, high-performance zoom lens.
* Aspherical lens element corrects distortion.
* Minimum focusing distance of 50 centimeters.
* Focal length from 28 to 300 millimeters.
* Corresponding AF mounts: Canon SLR cameras.



- Two-piece Special Low Dispersion (SLD) glass elements and four-piece aspherical lenses produce a high level of optical performance : The 28-300mm f3.5-6.3 Macro lens feature two-piece Special Low Dispersion SLD glass elements and four-piece aspherical lenses to produce a high level of optical performance.
- Macro photography with a 1:3 maximum photography ratio : The 28-300mm f3.5-6.3 Macro lens has a minimum focusing distance of 19.7 inches (50 centimeters) at all focal lengths and is equipped with a macro mechanism for close-up photography at 300-millimeter telephoto, with a reproduction ratio of 1:3.
- Inner Focus System : This design allows for stability and compactness in design as changes in focus are made in an internal lens grouping. This also gives the advantage of a non rotating front lens assembly which is of great benefit when using polarizing filter and Petal-type hood.
- The "Zoom Lock" device prevents the zoom setting from being changed inadvertently : The 28-300mm f3.5-6.3 Macro lens is equipped with a zoom lock to prevent the lens from creeping due to its own weight, and to offer protection whilst the lens is being carried.
- DG Lens : These are large-aperture lenses with wide angles and short minimum focusing distances. With an abundance of peripheral illumination, they are ideal lenses for digital SLR cameras whilst retaining suitability for traditional 35mm SLRs.

Customer Feedback :
It is a perfect everyday lens especially well suited to photograph outdoor events where there is close and far action. It is made of light plastic which makes it easy to carry but I would not want to drop it - especially when extended to 300mm. Overall I am very satisfied with my purchase.
The focus speed is slower than my D50's kit lens and it is also noisyer, but not annoying. The only odd fuction is the manual focus; the internal gears do not disengage so you feel the gears whirring as you turn the focus ring, it feels a bit rough. The Nikon model of this lens does not have a manual focus switch on the lens, you have to use the camera body switch.
A bonus with this lens is that is does good macro photography. I was able to get sharp shots of flowers at close range with totally blurred backgrouds.

Sigma 50mm f/1.4 EX DG HSM Lens for Nikon Digital SLR Cameras

Designed for Nikon digital SLR cameras, the Sigma 50mm f/1.4 prime lens is ideal for a wide range of applications, from landscape photography to portraiture. The lens offers an extra-large aperture that guarantees superior peripheral brightness, helping create sharp images with high contrast even at the edges. The molded glass aspherical lens, meanwhile, perfectly corrects for coma aberration to ensure that images look sharp and crisp against a nicely blurred background. And thanks to the integrated Hyper Sonic Motor (HSM), the lens enjoys a silent, high-speed autofocus system. Other features include a super multilayer lens coating that reduces flare and ghosting, a minimum focusing distance of 17.7 inches, and a maximum magnification of 1:7.4. As with all Sigma lenses, this 50mm lens carries a one-year warranty.

Technical Details :
* Standard lens with large maximum aperture of F1.4.
* It creates sharp images with high contrast and ensures superior peripheral brightness.
* Incorporates molded glass aspherical lens, perfectly correcting coma aberration and creating superior image quality.
* Super multi-layer lens coating reduces flare and ghosting.
* Hyper Sonic Motor (HSM) ensuring silent, high-speed AF.



Specifications :
* Focal length: 50mm
* Maximum aperture: f/1.4
* Lens construction: 8 elements in 6 groups
* Angle of view: 46.8 degrees
* Number of diaphragm blades: 9
* Minimum aperture: f/16
* Minimum focusing distance: 17.7 inches
* Maximum magnification: 1:7.4
* Filter size: 77mm
* Corresponding AF mounts: Nikon
* Dimensions: 3.3 inches in diameter and 2.7 inches long
* Weight: 17.8 ounces
* Warranty: 1 year

Pros:
+ @1.4 it's quite usably sharp.
+ @1.8 and beyond, it's very sharp.
+ The bokeh (rendition of out-of-focus areas) is really amazingly smooth. More so behind the DOF than in front, though.
+ colors, contrast, etc, all excellent.
+ great build quality, solid feel, free case and lens hood.

Cons:
- weight.
- price.
- big filters (77mm).

Nikon 24-70mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens

The fast, wide-angle to medium telephoto AF-S zoom lens from Nikon is optimized for edge-to-edge sharpness on both the Nikon FX (23.9 x 36mm) and DX-format image sensors, with focus as close as 14.9 inches. Enhanced optical formulas, engineered to produce exceptional sharpness, contrast and color, render outstanding image integrity, while two ED (Extra-low Dispersion) elements and PGM aspherical lenses futher control chromatic aberrations at even the widest aperture settings It has an exclusive Nano Crystal Coat to reduce ghosting and flare for even greater image clarity. The Nikon Silent Wave Motor (SWM) enables ultra high-speed autofocusing with exceptional accuracy and powerful, super-quiet operation, while the Internal Focus (IF) provides fast and quiet auto focusing without changing the length of the lens and M/A Focus Mode switch enables quick response to changing situations between Auto and Manual focus operation. With all these features, as well as an incredible resilience to dust, water and general wear and tear, the Nikon 24-70mmf/2.8G ED Lens is a welcome way to meet your telephotography needs. Internal Focus (IF) provides auto focusing without changing the length of the lens M/A Focus Mode switch enables quick changing between Auto and Manual focus operation.



Technical Details :
* Wide-angle to medium telephoto AF-S zoom lens for edge-to-edge sharpness on both Nikon FX- and DX-format image sensors.
* Enhanced optical formulas render outstanding image integrity.
* Two ED (Extra-low Dispersion) elements and PGM aspherical lenses control chromatic aberrations.
* Nano Crystal Coat to reduce ghosting and flare.
* Nikon Silent Wave Motor (SWM) for ultra high-speed autofocusing.

Customer Feedback :
Wide open, Nikon's new workhorse is sharper than most prime lenses. That's right -- I shoot all day long at f/2.8 (I like resulting blurry backgrounds) and never, never lack for sharpness. Being able to shoot f/2.8 at night doesn't stink, either. Colors are vibrant, the bokeh (out of focus areas) is creamy, and you'll see ghosts and flares *only* when shooting straight into the sun. And I've never seen an autofocus do its thing so quickly or with such accuracy.
No lens is perfect. This one has exactly three drawbacks.
1. It's pretty darn big for a midrange, so sometimes I miss Nikon's compact 18-200mm zoom. And that's without the massive lens hood in place. Snapped on, a big lens gets even bigger.
2. The zoom ring is too close to the camera body. I've only been shooting with it for a few days, but I keep grabbing the manual focus ring by mistake. There's a learning curve here, and I'm not yet over it.
3. It's in short supply. Good luck finding this beast at the suggested retail price.

Nikon 105mm f/2.8G ED-IF AF-S VR Micro-Nikkor Lens

The Nikon 2160 105mm f2.8G ED-IF AF-S VR Micro-Nikkor Lens is the world's first macro lens featuring Nikon's exclusive Silent Wave Motor and Vibration Reduction. Designed for close-up and macro photography, this camera lens is versatile enough for virtually any photographic situation.

Technical Details :
* Designed for close-up and macro photography; versatile enough for virtually any photographic situation.
* Features new VR II vibration reduction technology, which allows photographers to shoot hand-held shots up to 4 shutter speeds slower.
* Nano-Crystal coat and ED glass elements that enhance overall image quality by further reducing flare and chromatic aberrations.
* Includes internal focus, which provides fast and quiet auto-focusing without changing the length of the lens, retaining the subject's working distance.
* Weighs 27.9 ounces, and measures 3.3 x 4.5 inches (Diameter x Depth).



This Nikon 105 millimeter lens features Nikon's new VR II vibration reduction technology, which allows photographers to shoot hand-held shots at up to four shutter speeds slower than would otherwise be possible, providing sharper images in general and in close-up photography. This lens also features a high-resolution and high optical performance, with a Nano-Crystal coat and ED glass elements that enhance overall image quality by further reducing flare and chromatic aberrations, and contributing to improved color, contrast and clarity. Constructed with an f2.8 lens, this unit includes an internal focus, which provides fast and quiet auto-focusing without changing the length of the lens, retaining the subject's working distance through the focus range. This lens has a non-rotating front design that is convenient for use with circular polarizing filters and the R1C1 wireless close-up Speedlight system. Specifically engineered for both Nikon digital and 35mm SLR cameras, the Nikon ED-IF AF-S VR Micro-Nikkor lens helps ensure high quality and high performance for all photographers, from amateurs to professionals, and includes front and rear lens caps, an HB-38 bayonet lens hood, and a CL-1020 flexible lens pouch. The 2160 weighs 27.9 ounces and measures 3.3 x 4.5 inches (diameter x depth).

Pros:
- Excellent image quality.
- Excellent build.
- Excellent VR implementation.

Cons:
- Pricey.
- Shortens focal length when focusing close.
- Max aperture goes down to f/4.8 at closest focusing distance.

Impressively, the Nikon 105/2.8 VR shows center and corner sharpness through the entire aperture range. The sweet spot is said to be between f/5.6 to f/11, but inspecting 100% crops did not reveal much loss of sharpness at the larger apertures. This probably has a good deal to do with the ED glass element and Nano Crystal coating showing its worth, but it is also probable that the lens outresolves the 6-megapixel APS-C sensor on the test body (a Nikon D50), so any decrease in sharpness is not as apparent.

Nikon 18-105mm f/3.5-5.6 AF-S DX VR ED Nikkor Lens for Nikon Digital SLR Cameras

Lens has been Factory-Refurbished to perform as new. Includes 90-Day Nikon Warranty. Designed for Nikon D-series Digital SLR cameras, this lens is compact, versatile and ideal for a broad range of shooting situations, ranging from interiors and landscapes to beautiful portraits a perfect everyday zoom. An ED- (Extra-low Dispersion) glass element minimizes chromatic aberration, contributing to superior optical performance. Exclusive Nikon Silent Wave Motor (SWM) enables fast, accurate, and quiet autofocus. Front thread accepts 67mm screw-on lens filters. Rounded 7-blade diaphragm renders more natural appearance of out-of-focus image elements. Unit Dimensions - 3.0 x 3.5 inch (Diameter x Length) / 76x89mm (Diameter x Length); Weighs 14.8 ounces / 420 grams.



Technical Details :
* Includes - LC-67 67mm snap-on front lens cap; LF-1 rear lens cap; HB-32 Bayonet lens hood, CL-1018 Flexible lens pouch.
* Vibration Reduction is engineered specifically for each VR NIKKOR lens and enables handheld shooting at up to 3 shutter speeds slower than normal.
* Aspherical lens element virtually eliminates coma and other types of lens aberration, further improving image integrity.
* Nikon Super Integrated Coating (SIC) enhances light transmission and offers superior color consistency and reduced flare.
* Close focusing to 1.48 feet - Creative close-up photography is possible throughout the entire zoom range.

Customer Feedback :
The fit & finish is much better than that of the kit lens, and while it is a bit heavier than the 18-55, it's not appreciably longer, if any. But it produced a number of wonderful images for me today, under low light and handheld, without noticeable distortion, and they were very clear except if I was shaking badly (this is with shutter speeds of 1/40-1/10). In all, I am quite satisfied with this lens as an all-around, do-everything lens.

Lensbaby Macro Kit (AMACK)

Lensbabies has launched a set of macro lenses for use with its selective-focus SLR camera lenses, Lensbaby 2.0 and the Original Lensbaby. The macro set consists of one +4 and one +10 macro lens that can be mounted to the front of the Lensbaby lens, allowing photographers to focus in on minute details with eye popping Lensbaby effects.

Lensbaby 2.0 and the Original Lensbaby bring one area of a photo into sharp focus, with that 'sweet spot' surrounded by graduated blur. Photographers can fluidly move the sharp area around the photo by bending the flexible lens tubing. By mounting the +4 or +10 macro lenses (or both at the same time) to the front of the Lensbaby, photographers can use the selective focus effect at very close ranges.

Technical Details :
* + 10 lens allows focus from 3.5" to 5 inches away.
* +4 lens allows focus from 6 inches to 13 inches.
* Stack the +4 lens on top of the +10 lens to focus from 2 inches to 3 inches away.
* Carrying pouch has a pocked for your Lensbaby aperture removal tool.



A Lensbaby without a macro lens has a minimum focus of 16 inches. With the +4 lens attached the focus range is from 6 inches to 13 inches. With the +10 macro lens attached, the focus range is from 3.5 inches to 5 inches. With the +4 and the +10 stacked on each other and mounted to the front of a Lensbaby, focus range is 2 inches to 3 inches.

Customer Feedback :
Macro is such an obvious leap, as macro has always suffered from a shallow depth of field look unless you use incredibly specialized gear. People are used to seeing blur in macro photos. Putting this kit on a Lensbaby allows you to bring a lot of fun to the macro world and get a nice, controlled blur to your shots.
The really nice thing is you still keep your light sensitivity of your 50mm Lensbaby, meaning you get a macro lens that isn't as weak as a typical 100mm+ macro lens when it comes to lighting. Still, I use a flash with my Lensbaby macro shots, and everything comes out great.

Nikon 14-24mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens

The fast, wide-angle to medium telephoto AF-S zoom lens from Nikon is optimized for edge-to-edge sharpness on both the Nikon FX (23.9 x 36mm) and DX-format image sensors, with focus as close as 10.8 inches at the 24 mm. setting. Enhanced optical formulas, engineered to produce exceptional sharpness, contrast and color, render outstanding image integrity, while two ED (Extra-low Dispersion) elements and PGM aspherical lenses futher control chromatic aberrations at even the widest aperture settings It has an exclusive Nano Crystal Coat to reduce ghosting and flare for even greater image clarity. The Nikon Silent Wave Motor (SWM) enables ultra high-speed autofocusing with exceptional accuracy and powerful, super-quiet operation, while the Internal Focus (IF) provides fast and quiet auto focusing without changing the length of the lens and M/A Focus Mode switch enables quick response to changing situations between Auto and Manual focus operation. With all these features, as well as an incredible resilience to dust, water and general wear and tear, the Nikon 14-24mmf/2.8G ED Lens is a welcome way to meet your telephotography needs. M/A Focus Mode switch enables quick response to changing situations between Auto and Manual focus operation Two ED (Extra-low Dispersion) elements and PGM aspherical lenses control chromatic aberrations and enhance the image even at the widest aperture settings Exclusive Nano Crystal Coat further reduces ghosting and flare.



Technical Details :
* AF-S Nikkor 14-24mm f/2.8G ED lens.
* 21-36mm Effective Focal Length with APS-C Sensor Cameras.
* Ideal for Wide-angle Shots of Landscapes and Scenery.
* Lens Construction: 14 Elements in 11 groups.
* Contains Two ED (extra-low dispersion) Lens Elements for High Resolution and Contrast.

Customer Feedback :
Nikon's new 14-24 lens is just phenomenal. The clarity is that of a prime lens. In fact, this super-wide angle zoom lens effectively replaces the equivalent prime lenses within most of its focal length (except perhaps the 24mm range); it's like owning a bag full of prime lenses that have been combined to make one superlative zoom lens.
Yes, it's that good. If you check around the web, you will see the pros falling over themselves for this lens after they test it. It's built like a tank and is precise as a Swiss watch.
Highly recommended.

Tamron AF 75-300mm f/4.0-5.6 LD for Canon Digital SLR Cameras

The AF 75-300 f/4-5.6 extended-range zoom lens offers true telephoto capability ideal for a variety of applications including sports and wildlife shooting. The lens also features the capability to provide beautifully blurred background to high light the main subject in portraiture, or "compression effects" that make the most of the telephoto lens. This extended-range zoom offers true telephoto capability ideal for a variety of applications including sports and wildlife shooting. The lens also features the capability to provide beautifully blurred background to high light the main subject in portraiture, or "compression effects" that make the most of the telephoto lens.

Technical Details :
* For Canon EOS SLR cameras.
* Offers true telephoto capability.
* Ideal for a variety of applications including sports and wildlife shooting.



Specifications :
* Model: 672D
* Lens Construction: (Groups/Elements) 9-13
* Angle of View 33-8 degrees
* Type of Zooming: Rotation
* Diaphragm Blade Number: 9
* Minimum Aperture: F/22
* Minimum Focus: 59.0in. (1.5m)
* Macro Mag. Ratio: 1:3.7
* Filter Diameter: 62
* Weight: 15.3oz. (435gm)
* Mount: Canon

PROS :
- Reasonably fast AF.
- Good color balance.
- Sharp images.
- Great feel (sturdy, smooth focusing ring, nice look, very light).

CONS :
- Zoom ring could be smoother.
- AF is loud and annoying.

Overall, despite the negative qualities, this is a wonderful lens and a joy to use. My biggest surprise with this lens though was that is is great for photographing dragonflies and butterflies. For beginning DSLR users, it is well worth the price, and I consider it an amazing bargain. It is built well, it works well, and it delivers good pictures.

Nikon 10.5mm f/2.8G ED AF DX Fisheye Nikkor Lens

A fisheye lens is a wide-angle lens that takes in an extremely wide angle of view. The Nikon 2148 AF DX Fisheye-NIKKOR 10.5mm f/2.8G ED lens was designed exclusively for NIKON digital SLR cameras that feature NIKON's DX Format Sensor. The AF DX Fisheye-Nikkor 10.5mm f/2.8G ED lens significantly expands NIKON's DX-Nikkor category of interchangeable lenses. Go beyond wide angle with this DX series lens for your Nikon DSLR. The actual focal length of 10.5mm is equivalent to that of about 16mm on a 35mm-film camera. 16mm is considered the borderline from ultrawide angle to fisheye. Unlike older fisheye lenses that cut-off the corners, this fisheye lens fills the entire frame with a useful image. Nikon DSLR owners now can enjoy wider angle shots of landscapes, skylines, and astronomical views of the night sky with the Nikon AF DX Fisheye-NIKKOR 10.5mm f/2.8G ED lens. This is the wide-angle lens you've been missing. Now is your opportunity to pick one up. Extra-low Dispersion (ED) glass element minimizes chromatic aberration. Design enables a combination of wider angle of view with optical characteristics that are optimized for Nikon digital SLR camera sensors. Nikon D-type design provides precise distance information for flash and ambient light exposure processes. Rounded diaphragm makes out-of-focus elements appear more natural. G-type DX NIKKOR is designed exclusively for use with Nikon digital SLR models. Built-in flower-type lens hood Includes CL-0715 soft case, lens cover, rear cap For Nikon DSLR camera with a DX mount / Also compatible with FX series in DX crop mode.



Technical Details :
* DX-Nikkor reduces the diameter of the lens' image circle, allowing a range of lenses with practical size and excellent performance.
* DX-Nikkor lenses offer compact and lightweight design, fast aperture and fast autofocus via NIKON's Silent Wave Motor design.
* 180 degree diagonal angle-of-view.
* Close range focusing up to a near 5.5 inches.
* Innnovative Close Range Correction ( CRC ) technology ensures consistently crisp, sharp images.

Customer Feedback :
I doubt it if anyone would want to use this lens for family photos (unless you want to get a good laugh out of grandma's smile!) or weddings (pros know better) or even your average wide angle landscape. This lens is for those who see the world in a different way and would like to run with their creative shoes. Those who complain about the huge distortion from this lens should realize the sole purpose of this lens is to give you distorted images! If you want to get super wide angle, go for Nikon's 12-24 (if you have a grand to part with and a very happy marriage to ruin!) or the equally impressive and half the price 12-24 Tokina. You can even get the sigma 10-20 and be very happy. All these great lenses will give you minimum distortion and ultra-wide images. But if you invest some $600 in a fisheye like this superb Nikon glass, you should be prepared to see the world differently. Once you teach yourself how to bring the best out of this lens, there will be a whole new world for you to explore.